Recently I’ve found myself saving these videos that exist in the perfect sweet spot between photography and motion - Cinemagraphs. They have this almost hypnotic quality where the subject stays perfectly frozen while the world move arounds them.
It’s like someone hit pause on the main character but let everything else keep playing.
What I love about these cinemagraphs is how they make you stop scrolling and absorb every last morsel. There’s something weirdly captivating about being the calm center while chaos or movements swirls in the background. It feels almost dreamlike, like you’re watching someone exist outside of time.
(Phoebe Philo)
Cinemagraphs are perfect for fashion content. When your model is frozen but the environment keeps moving around them, it creates this incredible focus on what they’re wearing while still telling a story about the lifestyle.
Instead of just showing someone in a great outfit against a static backdrop, you’re also showing them as the confident, unshakeable centre of their own world. The bustling city street, the flowing curtains, the flickering lights - all of that movement gives you context for when and where you’d wear these clothes without pulling attention away from the pieces themselves.
It’s like the clothes become part of a moment rather than just being worn for the camera. You’re not just seeing a jacket; you’re seeing how that jacket moves through the world, how it fits into real life. The stillness of the model makes every detail of the styling pop, while the moving background whispers the story of where this look belongs.
(Inês Isaías for Parfois)
What’s brilliant about cinemgraphs is how they solve this tension we’re all feeling right now between photo and video content. We live in a world where video is dominating on social media - the algorithms favour it, engagement is higher, everyone’s fighting for those precious seconds of attention. But sometimes a video feels like too much, and a static photo just gets lost in the feed.
Cinemagraphs are this perfect middle ground that gives you the stopping power of video with the contemplative quality of a great photography.
It feels like a refreshing pushback against the “everything must be a 15-second video” mentality that’s taken over. Instead of cramming information and movement into every frame, cinemagraphs are a breath of fresh air, saving: what if we just moved on thing, really beautifully? It’s restraint in a medium that rewards excess, and somehow that makes them feel more luxurious and intentional.